| Cover |
Artist |
Title |
Format |
Released |
Label |
Catalog No |
Genre |
Notes |
Reviews |
|
Dahlgren, Eva |
?
|
MC |
198* |
|
|
|
MC 100 |
|
 |
Dahlgren, Eva |
Tvillingskäl
|
LP |
1982 |
Glen Disc |
|
|
|
|
 |
Dahlgren, Eva |
Ett Fönster Mot Gatan
|
MC |
1984 |
Polar |
|
|
|
|
 |
Dahlgren, Eva |
Ung Och Stolt
|
MC |
1987 |
|
|
|
|
|
 |
Dahlgren, Eva |
Jag vill se min älskade komma från det vilda
|
CD |
1995 |
The Record Station |
|
Pop: General Pop |
Entire disk recorded in Dolby Surround |
|
|
Danielson, Lars |
Continuation
|
CD |
|
|
|
Jazz: General Jazz |
|
|
 |
Danielsson, Palle |
Contra Post
|
CD |
1994 |
|
|
Jazz: General Jazz |
|
|
|
Dave Brubeck Quartet |
Time Out
|
CD |
1959 |
Columbia/Legacy |
|
Jazz: Cool/West Coast Jazz |
Historic Reissue Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move - Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt - it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as it's become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated - it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. |
|
 |
David Stackenäs |
Separator
|
CD |
2009 |
|
|
Unclassifiable: General Unclassifiable |
|
|
|
De Wolfe, Lorne |
Mogo Mobi
|
MC 40B |
|
|
|
|
|
|
 |
Déanta |
Ready For The Storm
|
CD |
1994 |
Green Linnet |
|
World: Irish Celtic |
English Chamber Orchestra
Dirigent: Daniel Barenboim |
|
 |
Deep Purple |
Deep Purple in Rock
|
MC 13B |
1970 |
|
|
|
|
|
|
DELLERT. KJERSTIN CHARLES WILDMANS orkester |
Make mine music
|
78 Rpm |
1949 |
Sonora |
7529 |
|
. Ur Walt Disneyfilmen ¨Spela för mej!¨ Foxtrot (Eliot Daniel, Ken Darby)
Anmärkning: [Stockholm 5 april, utg påsken 1949.]
Dellert made her actual stage debut in New York after winning the Arthur Godfrey Talent Scout Program in 1949, beating out such later successful Broadway actors as Mel Tormé and George Scheering.
|
|
|
DELLERT.KJERSTIN CHARLES WILDMANS orkester |
So dear to my heart
|
78 Rpm |
1949 |
Sonora |
7529 |
|
Ur Walt Disneyfilmen ¨So dear to my heart¨. Foxtrot (Eliot Daniel, Larry Morey)
Anmärkning: [Stockholm 5 april, utg påsken 1949.]
Dellert made her actual stage debut in New York after winning the Arthur Godfrey Talent Scout Program in 1949, beating out such later successful Broadway actors as Mel Tormé and George Scheering.
|
|
|
DELTA RHYTHM BOYS med EDDIE SAUTERS orkester |
Flicka från Backafall
|
78 Rpm |
1952 |
Odeon |
D 4946 (A 162455) |
|
[G. Turesson, arr. E. Sauter -- Gabriel Jönsson]
Anmärkning: [New York 1 febr, utg mars 1952. Även på BLP 18. Inspelad för Metronome av Mercury?] |
|
|
DELTA RHYTHM BOYS med EDDIE SAUTERS orkester |
Kullerullvisan
|
78 Rpm |
1952 |
Odeon |
D 4946 (A 162455) |
|
[Trad., arr. E. Sauter -- K. E. Forsslund]
Anmärkning: [New York 1 febr, utg mars 1952. Även på BLP 18. Inspelad för Metronome av Mercury?] |
|
|
Demert, Stefan & Jeja Sundström |
Till Anna
|
MC |
1981 |
|
|
|
|
|
 |
Detektivbyrån |
Wermland
|
CD |
2008 |
|
|
World: General World |
|
|
 |
Diestinct |
Diestinct
|
LP |
1981 |
Mistlur |
|
|
|
|
 |
Differnet |
The title of the new record is the text printed on the cover, or nothing at all.
|
CD |
2005 |
|
|
Electronica/Dance: General Electronic |
|
|
 |
Dire Straits |
Dire Straits
|
MC 5A |
1978 |
|
|
|
|
|
 |
Dire Straits |
Love Over Gold
|
CD |
1982 |
Vertigo |
|
Rock: General Rock |
Mark Knopfler : Vocals, Guitar Hal Lindes : Guitar Alan Clark : Keyboard John Illsley : Bass Pick Withers : Drums & Mike Mainieri : Vibes & Marimbas, Tracks 2 & 4 Ed Walsh : Synth Program All songs composed by Mark Knopfler Produced by Mark Knopfler Remastered by Bob Ludwig at Gateway Mastering Adding a new rhythm guitarist, Dire Straits expands its sounds and ambitions on the sprawling Love Over Gold. In a sense, the album is their prog-rock effort, containing only five songs, including the 14-minute opener "Telegraph Road." Since Mark Knopfler is a skilled, tasteful guitarist, he can sustain interest even throughout the languid stretches, but the long atmospheric instrumental passages aren't as effective as the group's tight blues-rock, leaving Love Over Gold only a fitfully engaging listen. |
|
|
Dobrogosz, Steve/Anna Christoffersson |
Rivertime
|
CD |
2008 |
|
|
Jazz: General Jazz |
|
|
 |
Docent Död |
Tusen Heta Kyssar
|
MC |
1981 |
Sonet |
|
|
Medlemmar:
Joppe Pihlgren
Larry "Lorry" Lövgren
Zebo Hillborg
Mats Olofsson
Kricke Pihlgren |
|
 |
The Doors |
The Doors 1968
|
DVD |
2006 |
|
|
|
Three features. 'The Doors - Live In Europe 1968' includes actual film footage and the tracklist. |
|