Extended Data by Eamon MacRalph
| Cover | Artist | Title | Format | Released | Label | Catalog No | Genre | Notes | Reviews |
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PJ Harvey | Stories From The City, Stories From The Sea | CD | 2000 | Island | Alternative & Punk: Alt-Folk | Produced by P J Harvey, Rob Ellis & Mick Harvey in Great Linford Manor. Recorded by Head. Mixed by Victor Van Vugt in The Fallout Shelter | ||
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The Pogues | Rum, Sodomy And The Lash | CD | 1985 | Stiff Records | Alternative & Punk: General Punk | Produced by Elvis Costello Extended Data by Eamon MacRalph |
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The Police | Zenyatta Mondatta | MC | 1980 | |||||
| Poul Ruders, Hanne Fischer, Johnny Van Hal, Etc.; Sondergard Sondergard: Royal Danish Orchestra | Ruders: Kafka's Trial (Proces Kafka, Prozess Kafka) [Disc 1] | CD | 2006 | dacapo | Classical: General Classical | ||||
| Povel Ramel | Knäppupplevelser 11 | CD | |||||||
| Povel Ramel | Knäppupplevelser 3 | CD | |||||||
| Povel Ramel | Knäppupplevelser 13 | CD | |||||||
| Povel Ramel | Knäppupplevelser 15 | CD | |||||||
| Povel Ramel | Knäppupplevelser 12 | CD | |||||||
| Povel Ramel | Knäppupplevelser 14 | CD | |||||||
| Povel Ramel | Knäppupplevelser 9 | CD | |||||||
| Povel Ramel | Knäppupplevelser 1 | CD | |||||||
| Povel Ramel | Knäppupplevelser 7 | CD | |||||||
| Povel Ramel | Knäppupplevelser 2 | CD | |||||||
| Povel Ramel | Knäppupplevelser 4 | CD | |||||||
| Povel Ramel | Knäppupplevelser 5 | CD | |||||||
| Povel Ramel | Knäppupplevelser 10 | CD | |||||||
| Povel Ramel | Knäppupplevelser 16 | CD | |||||||
| Povel Ramel | Knäppupplevelser 6 | CD | |||||||
| Povel Ramel | Knäppupplevelser 8 | CD | |||||||
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Pretenders | Pretenders | MC 59B | 1980 | |||||
| Kate Price | Kate Price | CD | |||||||
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Kate Price | Deep Heart's Core | CD | 1995 | Priceless Productions | New Age: General New Age | OMCD 44859 | ||
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Kate Price | The Isle of Dreaming | CD | 2000 | Folk: General Folk | ||||
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Queen | A Night At The Opera | CD | 1975 | EMI | Rock: Hard Rock | Digital remasters @2001. The copyright in this sound recording is owned by Queen Productions Ltd., under the exclusive licence to EMI Records Ltd. 1993 Queen Productions Ltd. Queen was straining at the boundaries of hard rock and heavy metal on Sheer Heart Attack, but they broke down all the barricades on A Night at the Opera, a self-consciously ridiculous and overblown hard rock masterpiece. Using the multi-layered guitars of its predecessor as a foundation, A Night at the Opera encompasses metal ("Death on Two Legs," "Sweet Lady"), pop (the lovely, shimmering "You're My Best Friend"), campy British music-hall ("Lazing on a Sunday Afternoon," "Seaside Rendezvous") and mystical prog-rock ("'39," "The Prophet's Song"), eventually bringing it all together on the pseudo-operatic "Bohemian Rhapsody." In short, it's a lot like Queen's own version of Led Zeppelin IV, but where Zep finds dark menace in their bombast, Queen celebrates its own pomposity. No one in the band takes anything too seriously, otherwise the arrangements wouldn't be as ludicrously exaggerated as they are. But the appeal - and the influence - of A Night at the Opera is in its detailed, meticulous productions. It's prog-rock with a sense of humor as well as dynamics, and Queen never bettered their approach anywhere else. |